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Arms and the Man Bernard Shaw - Arms and the Man is a comedy by George Bernard Shaw, whose title comes from the opening words of Virgil's Aeneid, in Latin: Arma virumque cano ("Of arms and the man I sing").The play was first produced on 21 April 1894 at the Avenue Theatre and published in 1898 as part of Shaw's Plays Pleasant volume, which also included Candida, You Never Can Tell, and The Man of Destiny. Arms and the Man was one of Shaw's first commercial successes. He was called onto stage after the curtain, where he received enthusiastic applause. Amidst the cheers, one audience member booed. Shaw replied, in characteristic fashion, "My dear fellow, I quite agree with you, but what are we two against so many?"Arms and the Man is a humorous play that shows the futility of war and deals comedically with the hypocrisies of human nature.
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Caesar and Cleopatra Bernard Shaw - Caesar and Cleopatra is a play written in 1898 by George Bernard Shaw that depicts a fictionalized account of the relationship between Julius Caesar and Cleopatra. It was first published with Captain Brassbound's Conversion and The Devil's Disciple in Shaw's 1901 collection Three Plays for Puritans. It was first performed in a single staged reading at Newcastle upon Tyne on 15 March 1899, to secure the copyright. The play was produced in New York in 1906 and in London at the Savoy Theatre in 1907
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Candida Bernard Shaw - Candida, a comedy by playwright George Bernard Shaw, was written in 1894 and first published in 1898, as part of his Plays Pleasant. The central characters are clergyman James Morell, his wife Candida
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The selected correspondence of Bernard Shaw relating to the play Candida contains 249 letters and entries, written between 1889 and 1950. The book represents a significant addition to modern-day understanding of Shaw's play Candida and reveals his thoughts on a wide variety of issues, love affairs und relationships with contemporaries. This publication from a revised edition Plays: Pleasant and Unpleasant. By Bernard Shaw. The Second Vol-ume, containing the four Pleasant Plays published by Constable and Company Ltd., London: 1920 is a hand-made reproduction from the original edition, and remains as true to the original work as possible. The original edition was processed manually by means of a classic editing which ensures the quality of publications and the unrestricted enjoyment of reading. Here are some inspirational book quotes from Bernard Shaw: "The play, which is called Candida, is the most fascinating work in the world." "I have written THE Mother Play—"Candida"—and I cannot repeat a masterpiece." "I shall never be able to begin a new play until I fall in love with somebody else." "I assure you in all unhumility I am the greatest dramatist of the XX century." "There is a Shaw boom on in Germany, because four of my plays have been produced in Vienna, Leipzig, Dresden and Frankfurt." "But I want the Germans to know me as a philosopher, as an English (or Irish) Nietzsche only ten times cleverer." "And remember that though we may be no bigger men than Goethe and Schiller, we are standing on their shoulders, and should therefore be able to see farther & do better. And after all, Schiller is only Shaw at the age of 8, and Goethe Shaw at the age of 32." "I am never wrong. Other people are sometimes—often—nearly always wrong, especially when they disagree with me; but I am omniscient and infallible." "Until within the last few months, when the success of Fraulein Agnes Sorma as Candida in Berlin was followed by an outbreak of Candidamania in New York, I had nothing to shew in the way of a successful play." "But everybody likes Candida. Wyndham drops a tear over Candida; Alexander wants the poet made blind so that he can play him with a guarantee of 'sympathy'; Mrs Pat wants to play Candida; Ellen Terry knows she is Candida; Candida is everybody's play except the utter groundlings." "But I dread success. To have succeeded is to have finished one's business on earth, like the male spider, who is killed by the female the moment he has succeeded in his courtship. I like a state of continual becoming, with a goal in front and not behind. I am a magnificently successful man myself, and so are my knot of friends but nobody knows it except we ourselves..." The book also includes an editor's note to German readers.
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Candida: Ein Mysterium in drei Akten Bernard Shaw - Candida, eine Komödie des Dramatikers George Bernard Shaw, wurde 1894 geschrieben und erstmals 1898 als Teil seiner Plays Pleasant veröffentlicht. Die Hauptfiguren sind der Geistliche James Morell, seine Frau Candida und ein junger Dichter, Eugene Marchbanks, der versucht, Candidas Zuneigung zu gewinnen. Das Stück hinterfragt viktorianische Vorstellungen von Liebe und Ehe und fragt, was sich eine Frau wirklich von ihrem Mann wünscht. Der Kleriker ist Christsozialist, was Shaw selbst ein Fabian Socialist erlaubt, politische Themen, die zu dieser Zeit aktuell waren, in die Geschichte einzubinden. Shaw versuchte in den 1890er Jahren, eine Londoner Inszenierung des Stücks aufzuführen, scheiterte jedoch, aber es gab zwei kleine Provinzproduktionen. Ende 1903 hatte der Schauspieler Arnold Daly jedoch einen so großen Erfolg mit dem Stück, dass Shaw 1904 schrieb, dass New York "einen Ausbruch von Candidamania" erlebte. Das Royal Court Theatre in London führte das Stück 1904 in sechs Matineen auf. Das gleiche Theater inszenierte von 1904 bis 1907 mehrere andere Stücke von Shaw, darunter weitere Wiederaufnahmen von Candida.
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libreka classics – These are classics of literary history, reissued and made available to a wide audience. Immerse yourself in well-known and popular titles!
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Heartbreak House Bernard Shaw - This vintage book contains George Bernard Shaw's 1919 play, "Heartbreak House: A Fantasia in the Russian Manner on English Themes". Ellie Dunn, her father, and her fiancé attend one of Hesione Hushabye's notorious dinner parties. However, Ellie's partner is a rake, her father is an idiot, and she has amorous feelings for Hesione's husband. It is an adventurous farrago of comedy, tragedy, and satire that can only lead to disaster. George Bernard Shaw (1856 - 1950) was an Irish playwright who co-founded the London School of Economics. Many antiquarian books like this are increasingly rare and expensive, and it is with this in mind that we are republishing this book now in an affordable, modern edition - complete with a specially commissioned new biography of the author. Heartbreak House: A Fantasia in the Russian Manner on English Themes is a play written by George Bernard Shaw, first published in 1919 and first played at the Garrick Theatre in November 1920. According to A. C. Ward, the work argues that "cultured, leisured Europe" was drifting toward destruction, and that "Those in a position to guide Europe to safety failed to learn their proper business of political navigation". The "Russian manner" of the subtitle refers to the style of Anton Chekhov, which Shaw adapts.
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The selected correspondence of Bernard Shaw relating to the play How He Lied to Her Husband contains 32 letters and entries, written between 1898 and 1949. The book represents a significant addition to contemporary understanding of Shaw's play How He Lied to Her Husband. It reveals his thoughts on a wide variety of issues and relationships with contemporaries. The play How He Lied to Her Husband was first published in a translation by Siegfried Trebitsch on 28 November 1904 in the Berliner Tageblatt. First English edition was published on 19 June 1907 by Constable and Company Ltd, London. This publication from "John Bull's Other Island and Major Barbara: also How He Lied to Her Husband, Constable and Company Ltd, London, 1920" is a handmade reproduction from the original edition, and remains as true to the original work as possible. The original edition was processed manually by means of a classic editing which ensures the quality of publications and the unrestricted enjoyment of reading. Here are some book quotes from Bernard Shaw: " The German papers seem to have settled into a habit of reporting everything I do as a failure." "All I can say is that the film How He Lied to her Husband directed by Cecil Lewis is the opening item in the program of the Carlton, which is a first rate London cinema. Although the principal film, to which mine is only a lever de rideau attracts the wrong sort of audience for my work, the people laugh at it as much as cinema audiences ever laugh (or perhaps a bit more) and it is kept in the bill. It has just been produced in America. Consequently the illiterate reporters who have never heard any language but Hollywood American, nor any colloquialisms, and who were mentally incapable of sustained attention, complained bitterly and just hated it. The qualified literate critics were all quite civil..." The book also includes an editor's note to German readers.
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Major Barbara Bernard Shaw - Fabian socialist and ardent proselytizer, George Bernard Shaw viewed his role as a playwright as far more than that of an entertainer. His audiences heard fully articulated sermons on moral and economic issues, a potentially dry theatrical experience enlivened by Shaw's genius for creating vital characters and scintillating dialogue. Major Barbara offers a sparkling example of its author's unique gift for presenting social theories in an engaging format.The eponymous heroine, an officer in the Salvation Army, is the daughter of Andrew Undershaft, a wealthy armaments manufacturer. When the Army accepts donations from Undershaft and a whiskey distiller, whose money Barbara regards as tainted, she resigns in disgust, but eventually sees the truth of her father's reasoning that social iniquity derives from poverty; it is only through accumulating wealth and power that people can help each other.
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The selected correspondence of Bernard Shaw relating to the play Major Barbara contains 178 letters and entries, written between 1891 and 1950. This publication from "John Bull's Other Island and Major Barbara: also How He Lied to Her Husband, Constable and Company Ltd, London, 1920" is a handmade reproduc-tion from the original edition, and remains as true to the original work as possible. The original edition was processed manually by means of a classic editing which ensures the quality of publications and the unrestricted enjoyment of reading. Here are some inspirational book quotes from Bernard Shaw: 'When all the world goes mad, one must accept madness as sanity, since sanity is, in the last analysis, nothing but the madness on which the whole world hap-pens to agree.' 'Marx's "Capital" is as amateurish in its abstract economics as Ruskin's Munera Pulveris, or, for the matter of that, as Adam Smith's Wealth of Nations; but for all that it is one of the books that has changed the mind of the world.' 'I do not say that my books and plays cannot do harm to weak or dishonest people. They can, and probably do. But if the American character cannot stand that fire even at the earliest age at which it is readable or intelligible, there is no future for America.' 'Now I want to make a suggestion to the press. I dont ask them to give up abusing me, or declaring that my plays are not plays and my characters not human beings. Not for worlds would I deprive them of the inexhaustible pleasure these paradoxes seem to give them. But I do ask them, for the sake of the actors and of Vedrenne and Barker's enterprise, to reverse the order of their attacks and their caresses. In the future, instead of abusing the new play and praising the one before, let them abuse the one before and praise the new one.' 'I regard a writer who is convinced that his views are right and sound as a very dangerous kind of lunatic. He is to be found in every asylum; and his delusion is that he is the Pope, or even a higher authority than the Pope.' 'All the faithful I have known have been rough and unsympathetic at times, all the charming persons I have known have been faithless in some of the relations of life.' 'An educated man, according to the old formula, is one who knows everything of something or something of everything.' 'But would anyone but a buffle headed idiot of a university professor, half crazy with correcting examination papers (another infamous activity pursued under economic pressure) immediately shriek that all my plays were written as economic essays, and that I did not know that they were plays of life, character, and human destiny as much as Shakespear's or Euripides's?' 'My plays are miracles of dramatic organization because I have never constructed them: there is not an ounce of dead wood in them: every bit of them is alive for somebody. To me constructed plays are all dead wood, bearable only for the sake of such scraps of sentiment or fun or observation as the artificer has been able to stick on them.' 'The cost of getting old is that one does and says things without realising what effect they may have on other people or oneself.' 'There is a point at which continuous successes will make a man believe that he can achieve anything.' 'I have honor and humanity on my side, wit in my head, skill in my hand, and a higher life for my aim.' 'It is not the story that matters but the way it is told.'
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Man and Superman by Bernard Shaw libreka classics – These are classics of literary history, reissued and made available to a wide audience. Immerse yourself in well-known and popular titles!
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Man and Superman: A Comedy and a Philosophy Bernard Shaw - Shaw began writing Man and Superman in 1901 and determined to write a play that would encapsulate the new century's intellectual inheritance. Shaw drew not only on Byron's verse satire, but also on Shakespeare, the Victorian comedy fashionable in his early life, and from authors from Conan Doyle to Kipling. In this powerful drama of ideas, Shaw explores the role of the artist, the function of women in society, and his theory of Creative Evolution. As Stanley Weintraub says in his new introduction, this is "the first great twentieth-century English play" and remains a classic exposé of the eternal struggle between the sexes.
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Mrs. Warren's Profession Bernard Shaw - Mrs. Warren's Profession is a play written by George Bernard Shaw in 1893, and first performed in London in 1902.Act I takes place in the countryside town of Haslemere, where Vivie Warren is staying after having graduated from Cambridge University with honors. She is soon joined at the cottage where she is staying by Praed, an architect and artist friend of her mother's; her mother, Mrs. Warren, whom she has not seen in a long time; Sir George Crofts, her mother's friend and business partner; Frank, her friend who is interested in her romantically; and the Reverend Samuel Gardner, Frank's father, with whom he is staying since he has no money to support himself.
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Pygmalion (pigmalion). Angielski z Georgem Bernardem Shaw Najlepsza sztuka Georga Bernarda Show po angielsku z polskim tłumaczeniem. Historia o biednej kwiaciarce i o jej szybkim awansie. Czy kwiaciarka może zostać damą? Profesor dobrej wymowy Higgins zakłada się ze swoim przyjacielem, że w ciągu 6 miesięcy wprowadzi na salony biedną kwiaciarkę Elizę, która marzyła o tym, żeby zostać damą. Profesor uczy dziewczynę zasad pięknej mowy oraz towarzyskiej ogłady, po czym wprowadza Panienkę na salony. Ani wyrafinowana już wtedy Panienka Eliza, ani Higins nie są szczęśliwi. A może są, tylko inaczej? Co ich różni, a co jednoczy? Czy takie eksperymenty zmiany przynależności społecznej – to dobry pomysł? Jaka przyszłość czeka Elizę? Dużo pytań, odpowiedzi na które może znajdziemy właśnie w Pigmalionie. Zapraszamy serdecznie. Opis Metody: Metoda Ilyi Franka pozwala uczyć się języka przy okazji czytania ciekawych książek w języku oryginalnym z wplecionym dosłownym tłumaczeniem. Całą zawartość książki podzieliliśmy na akapity i dodaliśmy 100% tłumaczenia, dlatego nie będziesz miał problemów ze zrozumieniem treści. Najpierw czytasz akapit z tłumaczeniem, następnie czytasz ten sam akapit bez tłumaczenia, czyli “płyniesz bez asekuracji”. Właśnie wtedy Twój mózg łączy angielskie i polskie znaczenia w jedną całość, a Ty przyswajasz język. Z serii mogą korzystać zarówno osoby początkujące i średniozaawansowane (czytając najpierw część z tłumaczeniem, a potem bez tłumaczenia). I też osoby zaawansowane (czytając w odwrotnej kolejności albo tylko oryginalną część).
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Pygmalion / Bernard Shaw. - [miejsce nieznane] : libreka classics : Legimi, 2019.
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Pygmalion by Bernard Shaw libreka classics – These are classics of literary history, reissued and made available to a wide audience. Immerse yourself in well-known and popular titles!
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The selected correspondence of Bernard Shaw relating to the play Pygmalion contains 272 letters and entries, written between 1896 and 1950, and edited by a leading contemporary Shavian Vitaly Baziyan. This publication from Androcles and the Lion, Overruled, Pygmalion, Constable and Company Ltd.: London, 1920 is a handmade reproduction from the original edition, and remains as true to the original work as possible. The original edition was processed manually by means of a classic editing which ensures the quality of publications and the unrestricted enjoyment of reading. Here are some inspirational book quotes from the book: 'Pygmalion is essentially a star play: unless you have an actress of extraordinary qualifications and popularity, failure is certain.' 'Pygmalion is my last potboiler. In future I will write plays that will not be understood for 25 years, if ever.' 'Pygmalion is my most steady source of income: it saved me from ruin during the war, and still brings in a substantial penny every week.' 'Am quite sensible, quite able, quite myself, and yet a lad playing with you on the mountains and unable to feel where you begin and I leave off. And if you tell me that you feel like that the sky will not be high enough for me (isnt that a nice Irish phrase?) Heavens! how delicious it is to make love to you!!!!!' ' Very well, go: the loss of a woman is not the end of the world. The sun shines: it is pleasant to swim: it is good to work: my soul can stand alone.' 'Last week a woman poisoned me with a war substitute for cocoa, as a result of which I not only suffered internal convulsions. . . but pitched head foremost down a flight of 17 stairs and landed on a my valuable head, which now looks like a composite of Michael Angelo' Moses and Shakspear…' 'I accused Mrs Patrick Campbell of having given me the dope in a cup of some stuff called Ovaltine, into which she put about half a canister. If I mentioned this in my letter, Ovaltine would get £20,000 damages out of us; and Mrs Campbell would be held up as Mrs Lucretia Borgia.' 'I am a Classic. I have never pretended to be anything else.' '…the amazing fact that I have ever been mistaken for anything else is due solely to the ignorance of literature prevalent among journalists who have no time for reading, and, indeed, no taste for it: an ignorance which enables managers to mutilate, travesty, and misrepresent Shakespear without detection or rebuke…' 'No art can have power for good without having power for evil also. If you teach a child to write, you thereby teach it to forge cheques as much as to write poems.' 'As you very properly say, the whole world is a fool; and I alone am right. Otherwise, what am I?' 'No I dont miss your love-making—and your sonnets! I know you so well Joey—and just how much you appreciated me—and how little—' 'I love you soulfully & bodyfully, properly and improperly, every way that a woman can be loved.' 'You know you always thought me a fool, and …that never did I think your love making other than what it was—sympathy, kindness, and the wit and folly of genius.' 'How much would you know about me if you read what people write about me instead of going to the original?' 'If you are really in love, this will not make you yawn.' 'The more unforeseen the development the better.' 'Trust your inspiration. If you have none, sweep a crossing. No one is compelled to write plays.' 'All film adventurers denounce one another as crooks, mostly quite justly.'
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Where is God? Taking the maxim 'seek and ye shall find' literally, a recently converted African girl embarks upon her own quest to find God. With only her bible as a guide she plunges into the jungle, where alongside snakes and lions she meets a dazzling array of religious and philosophical figures, from the God of Noah to Jesus, the Prophet and Voltaire, each one seeking to convince her of their claim to truth. So controversial was Shaw's Adventures of the Black Girl in Her Search for God when it first appeared in 1932 that it provoked a public outcry, with Shaw decried as a blasphemer. This brilliantly sardonic allegory showcases some of Shaw's more unorthodox thoughts on race, religion and God, while remaining a fascinating tale of the universal search for truth.
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The Doctor's Dilemma: Preface on Doctors by Bernard Shaw libreka classics – These are classics of literary history, reissued and made available to a wide audience. Immerse yourself in well-known and popular titles!
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The selected correspondence of Bernard Shaw relating to the play The Millionairess contains 37 letters, written between 1934 and 1949. The book represents a significant addition to present-day understanding of the play The Millionairess. It reveals views of Shaw on a wide variety of issues and his relationships with contemporaries. The play The Millionairess was written in 1935. The first English edition was published on 24 March 1936 by Constable and Company Ltd, London (The Simpleton, The Six, And The Millionairess: Being Three More Plays). This publication is a handmade reproduction from this edition, and remains as true to the original work as possible. The original edition was processed manually by means of a classic editing which ensures the quality of publications. Here are some inspirational book quotes from Bernard Shaw: "The Millionairess is a play with a very strong part for a female star, and, if you can get the right woman, it will be a moneymaker and cover [your wife] Tina with diamonds. It is, however, a star play in respect of its dependence on a single actress with a very heavy part and a termagant personality. If they have found the right woman for Epifania, and she sticks faithfully to her part as I have written it, it will be a success; and you will make some money. Unless it is pure Shaw, it is doomed. If they alter a single word or incident in The Millionairess they shall never have another play of mine to murder. I have not written a potboiler since The Apple Cart; and I must make some money out of The Millionairess or drop the theatre. The successes in Vienna, Prague, and now in Milan and Rome are hopeful; and I ought to strike while the iron is lukewarm. I have a young and beautiful Epifania raging to play the part: Her name is Leonora Corbett. I have not had a potboiler since The Apple Cart; and as all my debentures and mortgages were paid off during the slump and my investments in crematoria have not yet fructified I am banking a little on The Millionairess to make me a millionaire. Eppy speech should be peculiar to herself; but she must not be a stage foreigner, as that lingo is always grossly incorrect. She is exotic and essentially tragic all through. In the original version I made the woman a boxer; but, on the stage, that was unconvincing and unladylike. So I have made her a Judo expert. The part requires just such a personality as Miss Hepburn." The book also includes an editor's note to German readers.
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The selected correspondence of Bernard Shaw relating to the play Widowers' Houses contains 160 letters and entries written between 1885 and 1933. This publication from a revised edition Plays: Pleasant and Unpleasant. The First Volume, Contain-ing the Three Unpleasant Plays (Widowers' Houses, The Philandered, & Mrs Warren's Profession) published by Constable and Company Ltd, London 1919 is a handmade reproduction from the original edition, and remains as true to the original work as possible. The original edition was processed manually by means of a classic editing which ensures the quality of publications and the unrestricted enjoyment of reading. Here are some inspirational book quotes from Bernard Shaw: 'I do not hesitate to say that many of my critics have been completely beaten by the play simply because they are ignorant of society.' 'Now, the didactic object of my play is to produce conviction of sin, to make the Pharisee who repudiates Sartorius as either a Harpagon [a character of a comedy The Miser by the French playwright Molière] or a diseased dream of mine, and thanks God that such persons do not represent his class, recognize that Sartorius is his own photograph.' 'These gentlemen believe that, according to me, what is wrong with society is that the rich, who are all wicked, oppress the poor, who are all virtuous. I will not waste the space of The Star by dealing with such a misconception further than to curtly but goodhumoredly inform those who entertain it that they are fools.' 'Unfortunately I have no power of producing beauty: my genius is the genius of intellect, and my farce its derisive brutality.'
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